This research, arises as the need to make a theoretical., aesthetic and intentional abstraction,and translate it projectively to an architectural intervention, from the question about the symbolic reflection of architecture in the re-signification of social and collective memory in the city of Medellín, approached from the narrative, museograph, aesthetics and atmospheres. The purpose of the project is to identify sensitive elements of the architectural language,which allow building a newap propriation of socialmoments, which result in the rupture of theurban morphology of Villa Carlota, fragmenting the publics pace into three scenarios of the horizontal plane: transmission, recognition,and transcendence;and in the vertical plane, the memory and resilience where the memory is in the lower part (underground)as an implanted element that marked the city and broke it and the resilience (publicspace) marked by the inflection, the change and the look towardsa new Medellin.