In the present project it has been drawn up an inquiry into the relationship between photography and memory in everyday practices of young people of generation # (Feixa, 2014). For which in the first instance it was a review of various investigations that have studied photography from different perspectives, considering factors such as the material condition, in order to understand the role it has played in the social field since its inception up today. In a second stage, we proceeded to choose the conceptual tools with which it would work, given that the conditions created by the Digital Culture, have permeated both photographic practice, as the concept of memory; without forgetting that the constitution of the Juvenile has also been affected by the introduction of this culture. Even though it is clear that have been searched voices to analyze the interactions between technology and people, but not from a deterministic view, but from observing how individuals appropriate technological resources, giving uses and functions according sociocultural contexts, in addition to their particular way of being and being in the world. According to previously exposed, it was concluded that to carry out the proposed objectives, should assume an ethnographic approach, as required viewing practices, ie, actions, habits and routines, but in turn knowledge, knowledge and concepts involved in decision-making when producing, editing, publishing or sharing a photo image. This was mainly due to the purpose of making an approach to photography that not only focus on its semiotic quality, but that will integrate everything that happens around them and influencing the meaning or significance had to him is given in day to day. The study was finally realized with the collaboration of four participants, with whom he worked for a month without making a distinction between Online or Offline spaces, because it is of interest the project primarily provide a complete description that includes those events that are not recorded publicly on the web. Finally, among the findings made during the investigation, it highlights the fact that photography is still a device for creating memory and which is in turn continues to have a key role in shaping identity; more nevertheless actually if you have significantly changed the temporality of memory, since on the one hand, the past is a constant presence in the present and moreover the digital materiality has made photographic more than just images in interfaces interconnected or what Edgar Gómez Cruz has called images red.