The present investigation develops the concept of hybridization in cinema, understanding the historical, narrative and aesthetic impact that this trend has on cinematography. To level we can identify that it is a very substantial resource at the time of questioning the cinematographic language, since it has been used many times for the creation of speeches political, economic and social issues that break boundaries between genres and formats, mainly between fiction and documentary. Hybridization understood as a resource of cinema, research deepens on its definition at present, it is then defined that this term is part of postmodernism as a discourse that has the ability to reinvent the canons of contemporary production by joining formats, genres and styles in the same film. In the cinema of Colombia, you can contemplate several authors and works that are part of this definition of Hybridization, films like A paper tiger, Carne and Pariente, are examples of which we We support to make an analysis and locate the cinematographic hybridization in our country.