No one can escape being multiple. In the house that constitutes our being, various manifestations of ourselves live, in harmony or in conflict. We are polyhedrons that adapt to the circumstances of time, space and interaction with others. Although we call ourselves “unique”, to recognize ourselves, not to lose ourselves, we have been many, we are many others and we will be lots. This condition is especially acute for the writer, who not only deals with his personal tenants, but also creates other beings and, to make them live, must inhabit them, give himself to them and become them. The creatures proliferate in the personal house of Oscar Humberto Mejia, those who appear at every gap to be seen. They multiply and transform within the effective brevity of the stories in which they live. With their existence, they create a game that remembers that childish lost time in which we watched in fascination the changing shapes of the clouds. Each story of this fourth edition of the Entre Letras Collection somehow points to that multiplicity. From the introduction we know the multiple essence of Baruch Gonzalez distributed in suspicious Baruches by each corner of a house whose doors say go nowhere, but which in reality are going to give the recesses of time and memory. This book is not only an entertaining read, it is also an original game for those that lovers of narrative always look for in story collections. In addition, it allows to know the authentic, rich and complex voice of an outstanding and promising writer.