The article briefly describes the work of the artist Martha Bohorquez Franco, proposing dialogic relationships among the nature of her work and its reception, the influences and facts kindling her production and the scenes for creation under the sign of silence, and rest, making way to the convulsion, convergence, and the life tension experienced from art, in order to joyfully place the simplicity of the line as symptom and metaphor of a deep conviction for the possibility of expressive outbreak.
