It presents a reflective exercise on the relationships that are woven between the platonic conception of the poet, the bond expressed in the theater as a meeting place, and the question of rhapsode as mediator and officiant of the theatrical event. The route of the expulsion of poets as a condition of origin, the artist’s periphery feeling with the state, and education as a gateway and entry point to the social fabric, as a space for the reconstruction of the republic. This exhibitionaims to discuss the practical notion of theatre as a collective encounter, the space to recreate and relearn ourselves, as a vital space for social life.