This research aims to problematize the relationship between historical memory and oblivion, understanding that any intention that involves recall is mediated by complex phenomena that are not only based on recoverable information, they also understand that this information is part of an individual, collective and historical selection that makes it possible to give meaning to existence. Therefore, thanks to the tension between memory and oblivion, it is intended to enable scenarios in which peace has not been considered, as is the right to forget and forget by remembering, through an integral process in which the communities that have witnessed the armed conflict are not labeled, guaranteeing emotional well-being; that is related to the dynamism and the resignification. The current production of Historical Memory as a pillar in the country's public policy calls for groups in different fields of action; art, music and dance have been transversal tools for the mediation of the armed conflict both for the elaboration of memories and forgetfulness.