The FARC at the beginning of 2010 they acknowledge that they do not seek to continue in an offensive war, opting to establish a negotiated solution to the conflict, establishing the peace process in Havana with the Colombian government in 2012. The second administration of Barack Obama in the United States has acknowledged its interest in the peace process in Havana. This interest has been marked by the historical relations with Colombia and its impact as a key actor during the armed conflict through its military and economic assistance plans, recognized as a security issue for US policy. This has allowed Colombia to be constantly in the sights of the American press, specifically using photographs which are communicative acts that construct frameworks of meanings. The objective of this research is to analyze the narrative representation that has been made of the FARC through the photographs published by the American media during the peace process in Havana, and its relationship with the official position of the United States on the peace process. This is divided into three chapters: the first is an approach to the contributions of constructivism, the semiotics of Roland Barthes and intertextuality for the analysis of photos. The second chapter builds the visual representation that has been made of the FARC through the photographs. The third chapter recognizes the official position of the US on the peace process, establishing relations, values and interests that exist with the visual representation of the FARC, to reflect on the implications that can be transmitted to the American society and its consequences for the relations between Colombia and the United States.