This paper studies the Caribbean Colombian novel in the sixties of the 20th century, based on the analysis of three novels: El hostigante verano de los dioses by Fanny Buitrago, Mateo el flautista by Alberto Duque Lopez and Dos o tres inviernos by Alberto Sierra Velazquez. The main hypothesis is that, by this period, positions concerning writing had widespread through many roads and proposals procuring to overcome the constraint in which the novel of violence had become. One way of severance is that of Gabriel Garcia Marquez, of course. However, another route to follow is intended here, the one traced by young writers of that period pointing to fragment writing, to existentialism and to the crisis of the subject taking place in both the province environment and in the cities of the Colombian Caribbean. To develop this hypothesis, first of all, a brief analytical presentation of the novels mentioned is exposed; then, a possible state of the novel in Colombia by the sixties of the 20th century is settled and, finally, the consideration of a posible route by the fragment writing as a form of the novel in the Colombian Caribbean is proposed.