Venetian traditions about the representation of Muslims away from the European-Christian tradition and make an archetypal Muslim by distinguishing character in its historical, cultural, territorial and religious context. At first, from the analysis of the dress, the body and architecture states that Muslims are distinguished from their clothing from the cultural and religious sphere, the body assigned a role within the framework and architecture puts the territorial identity. In a second stage, from the interaction between visual and written sources Venetian could be identified other since their identity in their environment. Muslim Mamluk identification as a foreign ally dictates the intention of representing the Mamluk: strengthen the alliance between Venetian and Mamluks. It provides that from the representation of Venetian architectural elements and Muslims, symbolically represents what was Venice: a symbiosis city of many experiences and artistic performances. The cultural influence of the Mamluks is accepted Venetian architecture. Finally it is concluded that the construction of a new archetype of a Muslim, has resulted in the transformation of the symbols that represented the Muslim. As the dress which created a framework in which it identified the Mamluk withintheir social environment.