Studies performed on Adolfo Bioy Caseres’s novel, La invencion de Morel , have traditionally privileged isolated reflection on its different topics; however, this article approaches the Argentinian’s work from a multidimensional perspective that encompasses several themes while highlighting the comeback of a sand-dune like, preconscious, rippled vision. This is how a space is open to rediscover the making of the modern man in Casares’s novel, departing from multiplicity and the division between man and his world. Hence, the document studies the construction of modern man aspects (time, alienation, solitude, contemplation, and wonder about the origin, among others) present in the novel, underlying the writer’s proposal that the strength of a second origin of man resides in the world of a deserted island. There is where the imperishable and the multiple sensitivities exist, in temporary frame of an image that profoundly overflows towards any other dwelling, then dislocated.