This article analyzes the location of the body, the memory and the orality within the framework of the constitution of the modern States in Latin America and from the plots of coloniality that underlie the modern project. The violent forms addressed are the ones in which difference is silenced, exterminated and marginalized and in which the bodies, the memories and the voices escape. The bodies produced by the violence are considered subjectivities taken to the limit from their erasure and un-learnable by a social theory of the consensus.