The article describes from a hermeneutic perspective the links and influences of the romantic style in the work of Nicolas Gomez Davila with the purpose of find from them deploy conceptual of the author in question, the consequences and actualizations of a style of marginal thought, dissident and finally excluded. In the same form, propose the tacit mechanisms that suggest from this investigation a contemporary re - composition of the sense and current function of The Reaction like possible movement and insubordination when thinking: A revival of the Romanticism way.