This research analyses the ways in which art practices in public space relate to the right to the city, for this, it is used citizenship as the articulating concept that allows showing this contribution. The research focused on an intrinsic case study of the artistic practices -which did not produced any usufruct-of Corporación AAINJAA in Bogota city. The interest of this research is to know how art practices favour the enjoyment and development of the right to the city, besides to comprehend existing conceptions among AAINJJA artists about public space, the right to the city and their perspective in regards to public art and its relationship with the exercises of rights.