The present chapter provides an analysis of Gerard Bush and Christopher Renz's film Antebellum (2020) from the perspective of horror films depicting culture wars. In this case, we consider Antebellum to be a relevant examination of Trump-era US cultural warfare. The chapter begins by offering a categorization of the film with various subcategories within the genre of horror (e.g., folk horror, Blacks in horror, and Black horror). The chapter then explores how Antebellum is related to the Black Lives Matter movement. Moreover, Antebellum can be seen as a response to the infamous events that took place during the "Unite the Right" rally in the summer of 2017 in Charlottesville, Virginia. The chapter then delves into masculine crimes committed by Antebellum's neo-Confederate male characters, aiming to fill the existing void in scholarly works on Black horror and the portrayal of Blacks within the horror genre. The article is divided into two sections: one examines the conflict between the characters Dr. Henley and Senator Denton, and the other considers the significance of Captain Jasper's violent acts perpetrated against the character Amara. Making use of these scenes, we explore how Senator Denton and Captain Jasper employ concepts of neo-Confederate masculinity in Antebellum.