This paper analyzes the categories of immediacy and infinite reflection in the edifying discourse entitled, "The Confirmation in the Inner Man" published in 1843.In the Kierkegaardian aesthetics (which, as Uranga points out, has a great influence from early German Romanticism) the category of immediacy is presented, in which individuals throw themselves into exteriority and establish themselves in sensuality.The aesthetic man is concerned about ruling the world and satisfying his most immediate desires; however, we also find an existential discontinuity in his own becoming.His life dissolves into various possibilities that do not acquire any reality.On the other hand, infinite reflection is studied in the figure of Abrham.With this category, the individual becomes aware of his eternal value, and it is through an existential exercise that implies sacrifice, renunciation, and love that he could be placed in an absolute relationship with the Absolute.