This paper presents the desire to map, to register and to experience in an unknown sea as a way of discussing the intersection between art, cartography and audiovisual.The article brings basics on territory, place, and borders in expanded cinema, presenting possibilities of an audiovisual cartography.Analyzing the artwork Possible Displacements, we bring up gender, migrations, climate change, garbage, and large ports issues.In this way, navigating the Mediterranean Sea through videos, data, voices, and sounds creates an audiovisual cartographic narrative to feel this sea of experiences.