Cacharro(s) magazine has recently begun to gain the interest it deserves as one of the first digital publications in Cuba. A continuation of the Diáspora(s) project, Cacharro(s) shared with it its avant-garde vocation and its "samizdat" status. In this article I approach this publication from the point of view of its political use of humor. I start with a preliminary definition of the comic in repressive contexts as it has been proposed from dissident positions in Cuba; then I place Cacharro(s) magazine in the context of opposition publications at the turn of the century, and finally I analyze the use of humor in the magazine, taking as an object some cover illustrations and some reflections on laughter as a political attitude.