Narratives about Argentine abstract art of the 1940s and 1950s have been dominated by the presence of male artists whose voices monopolized avant-garde magazines. However, these were groups permeated by women who forged their own places of enunciation. I argue that women found spaces in magazines where they reflexively articulated their experiments in the fields of music and literature, finding parallels with the visual arts. Matilde Werbin, from the Asociación Arte Concreto-Invención, published an essay on music in the journal Contemporánea, while Diyi Laañ, from Madí, meditated on writing in Arte madí universal. This article understands magazines as a privileged site for advancing the study of women in modern Latin American art.