This article analyses the sentimental relationship proposed by Andrea Jeftanovic in Geografía de la lengua. The sentimental relationship of its protagonists arises in a nonplace. It is also constructed through the technological medium and generates in the subjects a confusion between reality and fiction. These traits, which the critics have attributed to the narrative of simulation, constitute the main vectors of this analysis. The aim of this article is to highlight the literary treatment of the different conditioning factors that crosses a sentimental relationship subjected to physical distance and technology.