The emergence of the Cultural Front (FC) of the Movimiento Obrero Independiente Revolucionario (MOIR) was a space for artistic practices with a partisan vocation focused on propaganda, social unrest and political militancy. Crossing history, art history and visual studies, we reconstruct the forms of political imagination that allowed them to project artistic and cultural practices with a vocation to intervene and transform the reality that MOIR embraced, in the context of the new left in Colombia and the consolidation of a student movement in 1971. We consider that this niche, contextualized and interdisciplinary, fostered the performativity of images in MOIR’s visual culture that today function as a place of memory to reconsider that moment and its survival.