This article presents the investigation results regarding the tiple soloist in Colombia, carried out through interviews with protagonists and contrasted with musical scores, discographies, and documentaries in order to propose the technical development and the proposals of the interpreters. The development and validity of the instrument evidenced over three generations and whose technical-interpretative proposals respond to current trends in Colombian music is analyzed. With this article we hope to create a reflection that encourages the analysis, recording and creation of national representative music and instruments from its current transformative dynamic.Keywords: folk music, territory, identity, musical societies, cultural groups.