This article examines the Nasa peoples’ resistance praxis known as “Desalambrar”. Through the analysis of Nasayuwe language, textile art, and ritual dance, the article looks at the idea of ontological continuum at the heart of this praxis, exploring how this concept provides the Nasa with a philosophical standpoint for what they have called “the liberation of Mother Earth”. The article then examines how this idea challenges the Eurocentric divide between Man and Nature/Woman and what it can possibly mean for women, gender, feminism, and the environment.