Sport and Film have been widely discussed as separate areas of study.However, the relationship between both fields has not been approached extensively.The main objective of this research is to analyze what is the ideological agenda behind the film The Blind Side (2009) framing the research around the last sequence of the film.This study is positioned under a critic and a de-colonial perspective and using as its main methodology textual analysis.The central argument of this investigation is there is an ideological agenda in The Blind Side that reproduces and aims to maintain dominant and postcolonial logics and structures.