As part of the project „„Musical territories: imaginaries of identity in the Oriente of Antioquia‟‟, this work presents the vision that artists in the region assume as to how the digital technology has transformed his way of doing, think and communicate the music. Through an in-depth interview, artists are recognized as protagonists in a communication process. Between the main findings, is the great facility which implies that they can count on homemade means for the musical production, as well as the fear produced by the ignorance of the operation and handling of some tools.