This work addresses the participation of the Peruvian poet Carlos Oquendo de Amat (1905-1936) in Boletín Titikaka, a magazine released in Puno, Peru, between 1926 and 1930. The objective of this analysis is to draw lines of filiation between the aesthetic-ideological proposal of Oquendo and that of the Grupo Orkopata. These communicating vessels will make it possible to understand the Boletín as a nodal point within the cultural praxis of the time and will shape the "cultural/intelectual field" (Bourdieu) of the moment as an "archipelago" (Foucault) in which power acquires a multiform character.