As media consumption grows increasingly niche and distribution extends further away from old network and print models (Lotz, 2007), media producers continue to hone their marketing toward ever more specific audiences.Yet, while fan-centred franchises and crowdfunding projects have garnered some scholarly attention, there has been less discussion of the ways that gender, race, and sexuality intersect with media production and marketing.This paper analyses the crowdfunded comic My So-Called Secret Identity (MSCSI) and its attempts to appeal to female comics fans.MSCSI was launched in 2013 with the aim of countering misogynistic depictions of women in comics.Created by academic Professor Will Brooker, the series focuses on Cat Daniels, an ordinary girl who becomes a superhero.I examine how the production and branding processes of the comic were used in paratexts to market MSCSI to women as specifically gendered audiences.In particular, I consider the implications of gendered (and de-gendered)