The present dissertation is dedicated to looking at the relationship between Body, Voice and Listening on the actor's work.The study is based on theoretical guidelines that understand the body as an agent of the process of learning the world and point its intrinsically relational aspect, as its main references there is the phenomenology of Merleau-Ponty, the idea of singular voice of Adriana Cavarero and reflections about the listening process developed by Jean-Luc Nancy.In addition, in an attempt to uncover the characteristics of vocal exploration processes, this work makes reference to important artists of the theatrical context beyond the practical experience carried out mainly by the "Via Rosse Teatro "(Italy).This work belongs to the field of current lines of thought about the formation of the actor whose interest the search for transposition of the dichotomy between body and voice.