When asked in the early twentieth century in Venezuela, it is observed in the literary work a point concern own style and restraint of classicism and romanticism predecessors. Thus the call to the icons of ancient Greece, the parnassianism focused on rigorous preparation of the sonnet. The purpose of this study is to conduct a descriptive analysis of the aesthetic properties of book of poems entitled Las ánforas de mármol (Schmidke, 1890-1985) as for understanding the literary contributions promoted by the author and that, paradoxically, correspond to a literary trend little roots in the country.