The present work aims to study the German architect and designer Peter Behrens, contextualizing the events in Germany, parallel elsewhere in the world after the outbreak of the Industrial Revolution and consequently its effects on the relationship between art and industry, and their productions concentrated in the final years of the nineteenth and early twentieth century.Emphasizing configuration Plant Turbines for better understanding of their features.Finally, to demonstrate the representation and the contribution of Peter Behrens in architecture and industrial design for that time as well as later generations, having been one of the pioneers of the modernist movement, which will actually occur in the twentieth century, more specifically in the range between first and the Second World War.