In this text we will deal with the visibilization of some of the most significant displacements that the esthetic-artistic practices have gone through, emphasizing in the way in which these apertures have contributed to the configuration of certain notion of research-creation, at a time when the artisitic creations appear imbricated in a complex field of relationships made up of perceptions, traditions, institutions and pragmatic effects, which make of such practices an authentic sedementation of what we can recognize as cultural processes.