In 1957 the German monthly UFITA, as its name reads in abbreviation for Archiv für Urheber, Film- Funk- und Theaterrecht, published my study Das Folgerecht der Bildenden Künstler in its April issue. In 1961 my own translation of this article, now entitled Legal Rights of the Artist—The Droit de Suite, appeared in the Spring issue of the Art Journal (vol. XX, 3, pp. 151–154).
