The category race, as construction of “mind-body” domination is analyzed here. Its origin is centered in the historical phenomena of colonization, valid for Latin America from a perspective of “body” and “dance” as an “archive” in the sense proposed by Cesaire and Fanon, whose view of the body, called for them colonial, is the conceptual and rhetorical space registering in a sensible way the violence exerted in the colonial dominium. We ask from this perspective: ?How the “psychological ego” in colonial slavered bodies was constituted? ?What speeches destroyed what vital senses and imposed others? Or, ?How is the current manifestation of the colonized people’s corporal scheme in ambits as danced-practices and its staging in modern folk festivals?